Oooohhhaaaa.......If only I have the guidance from Goddess Kumang to tell me
how should a Kumang dress, then there will be no quarrels or misinterpretation
or misconception on how the winner or Kumang should dress. However, I believe
that things happen for one reason or another. The debate on what a winner
should wear has been in this Pekit Kumang (Kumang competition) arena for many
years perhaps ever since it has ever started. No one will ever be happy, sore
losers are the worse particularly those can’t really admit their weaknesses.
The word or title “Kumang” is so synonym to name a winner in
all Pekit Kumang held in Sarawak throughout the Gawai season and that includes
the recent Borneo Hornbill Festival (BHF) 2013. We have been using the term
Kumang eversince BHF began in 2009. It’s not like we simply want to use the
word Kumang it is because we want the younger generation to remember that
Kumang was the Goddess that the Iban community look high upon; as being the
perfect Iban woman, perfect in every sense that she is the master weaver,
intelligent, caring, loving to her Keling and also possess the utmost beauty.
Relating to the BHF context, this Kumang might not be able to possess the
weaving skill, but she is talented in her own way. She must be an all-rounder
character; honest, kind, has the passion in showcasing her culture, good in her
communication skills, has the knowledge in nature conservation, beautiful
(though this one is quite subjective) apart from being able to carry her
costume well, which is original.
Well in this post I would like to focus more on to how a
Kumang costume should look like? Any answer from readers out there?
Eversince Pekit Kumang being doctrined with a standard set
of guidelines for ngepan Kumang, it has been a rule that only such ngepan Iban
will be eligible to enter a competition, atleast those “complete” ngepan will
have the chance to win the title Kumang apart from other qualities in place. In
the normal context of Pekit Kumang, she must be wearing Kain tenun/kebat/karap,
selampai, Marik Empang/Tangu, Gelang Kaki, Rawai, Buah Pauh, Sugu Tinggi,
Sementing buchai, Simpai, Tumpa and Tali Ujan in bright colour or mansau
ofcourse.
The most recent BHF really created a controversy particularly
when a black ngepan from the Ulu Rajang area won the title Kumang. This is also
known as ngepan buri where the base of the material is black adorned with tiny
cowrie shells that were abundant during those days. It was so controversial because in Iban, black
is a symbol of mourning, therefore a Kumang should not be wearing black.
However, one has forgotten that the black material is known as Kain Buri,
adorned with cowrie shells so that it will look beautiful. Generally, people
who mourn will be wearing clothes which are solemn and dark mainly to show
respect to the deceased and the bereaved family. However, this is not the case
for ngepan kain Buri, it is pretty, brightly adorned with shells to beautify it
and I do not think it shows any element of solemn there. Nothing solemn here
where the ngepan is further beautified with strands of marik pelaga (fire agate
beads) lampit pirak, tumpa rangki, sugu tinggi, selampai buri, and other accessories
to complete the look.
A ngepan Iban is worn in occasions particularly to show the
grandeur of a community, so how about ngepan Baju Kuas from Sri Aman then? Is
it a mourning costume? Ofcourse not.
Next is Ngepan Saribas, worn by myself and eventually won in
BHF 2011 and that created a havoc I must say. Well to some Pekit Kumang
enthusiasts ngepan Saribas is incomplete, therefore should not even qualify to
enter any Pekit Kumang. Some even said that it was too sexy? Well didn’t our
ancestors wear that way i.e. high up to the bosom or in some cases it doesn’t
really cover the bosom that much. To say that ngepan Saribas is incomplete is
totally wrong just because it does not have marek empang.
Bringing back to the context of Borneo Hornbill Festival, it
is not our objective to only show the common ngepan, we hope to feature as many
Iban costumes that can be found in Sarawak. The variety of costumes are due to
differences in geographical areas e.g. abundance of cowrie shells by the
riverbanks hence ngepan buri is created, assimilation of different ethnics
found in Sarawak and even parts of Kalimantan which explains the influence of
beads, silver wear near Skrang as there were Memaloh community who were master
silversmiths and ofcourse the daily activities such as barter trade which shows
in the some accessories like buah pauh having the influence from the Chinese
traders, lampit pirak if you can see the motifs of the buckles depicts
goldfish, flowers and even monks.
Borneo Hornbill Festival did their job well in upholding to
their objective and therefore many different costumes from different tribes of
Iban came to this platform from 2009 until now. However, there are risks that
come with it, the term ORIGINALITY.
In my opinion, if there is proof in
documentation e.g. books and the accessories do hold their authenticity (by the
physical look of the accessories, old / antique) or even such accessory is not
old and authentic but presents the original look, I think it should be given
credit as its maker has the effort to revive the old costume.
This is because
these old costumes can be so fragile until it can’t be worn but since the maker
managed to achieve the original look i.e. how it looked in the olden days, then it
should be showcased in BHF.
I am not saying that the standard rule is wrong, yes it
is correct, however, the "pro ngepan standard" people should not deny
the fact that other types of ngepan Iban also exist by belittling those
other ngepans by giving names and mocking them too. Not all of these ngepan Iban would qualify in the
common Pekit Kumang arena so BHF is the platform to show it all. With all due respect, please refrain from comparing Borneo Hornbill Festival with the common Pekit Kumang in Sarawak, our objective is different.
Below are ngepan
Iban that were featured in BHF throughout the years since 2009 to show how open
we are embracing differences in the Iban tribes.
 |
| Ngepan Ulu Rajang- Ms. Shirly Jimeli (BHF 2013) |
 |
| Ngepan Skrang- Ms. Margareta Remang (BHF 2013) |
 |
| Ngepan Marik of Kapit - Ms. Elyvenner Melaya Mau |
 |
| Ngepan Kuas Sri Aman - Ms. Angel (BHF 2012) |
 |
| Ngepan Batang Ai- Ms. Vanessa (BHF 2011) |
 |
| Ngepan Saribas - Myself BHF 2011 |
Now let me rouse your minds...would you prefer to only know the common ngepan Iban like we always see nowadays or.....do you prefer to expand your Iban culture horizon by getting to know somewhat almost extinct in the face of this earth? I'll let you ponder on that...
In this case ignorance is not bliss..infact it would be a loss to our own community by ignoring ngepan from other Iban tribes. Please don't let these ngepan be chucked in the attic or sadau of your longhouses...show it to the world that Iban is indeed rich in culture...
